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We don’t award ties, but if ever there was a tie, this would have been it. Apple made our choice easy in this category by throwing in a DVD SuperDrive and iDVD 2 to make discs. The cute integrated monitor and low price of this machine might make you skeptical about its performance, but the bottom line is that, with the included iMovie 2 editing software, the eMac does a nice job editing video. Although this particular box has since been superceded, take a look at the latest faster-better-cheaper 1 Beyond machines. With the robust real-time capabilities of the Canopus DVStorm SE+ card, dual-AMD processors and hundreds of gigs of storage space, this was our dream machine. When it was released, the 1 Beyond 660 SE+ was the fastest machine we had ever seen. The problem is even more acute with yearly awards. The performance, stability, features and price of the DVora made this our choice at the top end.īest Turnkey Editing System $2,000-$6,000ġ Beyond 660 SE+ Canopus DVStorm SystemOne inherent problem with reviews of computers is that by the time the review hits the stands, something faster and cheaper is already out.
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The Laird DVora system, with a full compliment of video inputs (including YUV) and professional XLR audio inputs mounted on a steel, rack-mountable break-out box, is the way to go. Ready to go pro? You can now get yourself into a no-compromises Avid system for well under $10,000.
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Despite some limitations when editing MICROMV video on a computer, for the home and vacation videographer, this is an eminently portable all-in-one imaging device. With a style that looks like no other camcorder, this was a fun and easy camera to use. In our tests, the quality of the unique MICROMV-format video was indistinguishable from comparable Mini DV camcorders under normal viewing. This year Sony combined impressive 2.1 megapixel still capabilities with the new MICROMV format in its ultra-small IP220 camera. The SXM740 includes a full feature set and the potential convenience of being able to play the tapes back in S-VHS VCRs (with the included adapter). While it was not the smallest or least expensive analog camcorder we saw this year, JVC’s beginner-friendly S-VHS-C camcorder did boast the highest quality image, and that was enough to push it to the top of our list.
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Beside solid performance and good manual controls, Sharp deserves an award for its innovative shooting assistance guides, which help the beginner learn basic shot composition with an on-screen rule-of-thirds grid. The Sharp VL-MC500U is a refined and perfected version of last year’s winner, for about $200 less.
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With high-res still shot capabilities, a compact size and Bluetooth networking potential, this is an ideal camera to take on vacation.Įvery year we see higher quality products at lower prices and this camera is a classic example.
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And that doesn’t mean that the manual controls aren’t there if you need them. In point-and-shoot mode, this camera produced one of the sharpest images we’ve seen. Its first-rate automatic shooting features make it an excellent choice for the hobbyist. The Canon also has better and more accessible manual controls (such as direct iris control in F-stops) that professional videographers will understand and truly appreciate.įor the opposite reason we liked the GL2 in the previous category, we feel that the Sony PC120BT is the best camera in this category. First, the GL2 has better audio controls with a number of very useful meters carefully placed around the camera body. While you won’t be disappointed with either camera (the Sony shoots a very sharp image in automatic modes), we give the edge to the GL2 for two reasons. This was a close category this year, with the GL2 competing against the outstanding Sony TRV950 ($2,600). But we were extremely impressed with the true progressive modes, the accessible (and extensive) manual controls, the fine audio capabilities and the overall imaging quality of this professional-level camera. We weren’t terribly excited by 24p in and of itself: we don’t have $50,000 to transfer our video to film, and our productions are shown on 30fps interlaced NTSC televisions anyhow. The Panasonic AG-DVX100 is one sweet camera, even if you aren’t shooting an Indie for Sundance. When the dust settled, we had this list of winners. The editors compared, contrasted, discussed, debated and defended their recommendations. Selecting winners is a fun but challenging process.
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At the end of each year, we take a step back to look at the whole and publish a list of our favorites. It must work consistently and effectively.Throughout the course of a year we have a unique opportunity to see, play with, test and review all of the latest and greatest video toys.